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Non-finite Performance
title
1996
year
Anna Pł‚otnicka
author
synopsis

Non—finite Performance (1996), in a darkened space, the light is shed on the standing artist with two TV monitors behind her. They present a video work in which the artist’s face is filmed through a sheet of melting ice block. Płotnicka holds a big glass pane in front of her in such way that both ends of a string keeping the pane in the upright position are frozen in a piece of ice that the artist keeps in her hands. There is a tension between her and the audience waiting for the glas pane to fall down and break. The pane, however, remains intact after it falls down onto the floor.  More  

Płotnicka’s performance might be interpreted in the feminist context. The glass pane is the cultural cage making the woman’s free activity impossible. The limitations are a burden, its refusal is connected with the risk of destroying one’s own world. The artist shows that refusing of this transparent structure of limitations is possible. The artist’s weakening while holding the pane turns into expression of activity and release.

Place and date of documentation: Festival WRO 96 Polish Monitor, television studio, Wrocław, May 1996

video



artist's bio
Anna Płotnicka (PL), b. 1956, is an artist and curator, working in the intersection of performance, installation, and video art, whereas the last medium is for her a means of documentation, as well as a constitutive element of her works. In her works, she often explores the notion of place, understood as a place for living or a physical perception of space; she raises up questions of femininity and focusses on feelings and emotions. Her performances often take form of involving public live installations.
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