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Performance on Demand
title
2001
year
Anna Pł‚otnicka
author
synopsis

In Performance on Demand (2001), the audience Internet collectively steers the artist’s activities via Internet. The work was created in collaboration with Paweł Janicki who designed the communication strategy and software enabling to shift the perforer’s activities into the space of the net. The performer in an isolated space had at her disposal a set of simple objects of everyday use, such as matches, a jug, a book, a pen, etc.  More  

The space was monitored by a camera, and the registered image was transmitted in the Internet in real time via the project’s website, through which the audience controlled and influenced the artist’s activities.

Apart from a window with video streaming, the website contained a set of icons representing objects that surrounded the artist, and activities that she could execute while using the objects. The artist could see a monitor on which she could follow the number of the website’s visitors and their statistically measured choosen commands, telling her what to do with which object.

The work, executed only once, is based on synchronous interaction of multiple users, whose decisions determining remotly the performer’s behaviour create a special „biofeedback”. It was the first performance in Poland in which the strategy of interaction with the audience was based on video streaming in the Internet. In the peak of the highest server load, several thousand people took place in the Performance on Demand.

Place and date of documentation: 9th Media Art Biennale WRO 01, Contemporary Theater in Wrocław, May 4th, 2001

video



artist's bio
Anna Płotnicka (PL), b. 1956, is an artist and curator, working in the intersection of performance, installation, and video art, whereas the last medium is for her a means of documentation, as well as a constitutive element of her works. In her works, she often explores the notion of place, understood as a place for living or a physical perception of space; she raises up questions of femininity and focusses on feelings and emotions. Her performances often take form of involving public live installations.
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